Monday, August 29, 2005

SRETAN PUT!


No, this is not Bosnia! And I am still in England! In fact I am about to set off for the airport, bags packed (just about) and butterflies lodged in my inner belly fighting for space to fly.
I went to Lyme Regis (border Devon/Dorset) this weekend, to relax by the sea, and prepare for the journey...and feel that it will be a steep cultural flight coming straight from the English seaside to Bosnia. And wonder, if perhaps family life, relationships, odd things lurking, unsaid greivances, and innocent intimacy are all the same everywhere...

I land at 10;20 pm local time in Zagreb, where I will be picked up by a cousin, of whom I am very fond of. He works as a car salesman, but really he ought to be a professor of philosophy! The amount of books he's read and the stuff he knows, and the delicate soul he has, I can't quite imagine selling Mercs, Porches and the lot that Croatia buys in abundance (curtesy of credit cards). I am then dropped off at my other cousin's place, where my grandmother will also be (visiting for a doctor's appointment). Tomorrow, I take a bus, at 10.30am to Banja Luka, Bosnia. I should be arriving about lunchtime, but things can be unpredicatble. Last time, the bus from Ljubljana, my sister travelled in, broke down twice, and they changed buses twice. When the second bus broke down, then had to wait for the first bus to be repaired to pick them up ;-) I hope I'll have more luck!

My next blog should be from Banja Luka, wish me SRETAN PUT...Bon Voyage...!

Friday, August 26, 2005

hana no kage (shadow of a flower)

It strikes me that I’d like to do a ‘before’, ‘during’ and ‘after’ and that that would be interesting. I’ll put down my proposed itinerary in Japan, what I expect to find and see; then I’ll blog things as near as possible to as they’re happening; then I’ll rework that material into as many forms (film, performance, articles, poems, cut-up…) as I get inspired to. Before, during and after. I realize it’s a good way of making an idiot of myself since in the ‘projection’ phase I’ll be waffling on on the basis of no actual on-the-ground experience (oh come on, Hoyte, you have been immensely interested in Japan for 25 years, have unintentionally sat zazen and listened to a load of Zen woffle with 3 Zen teachers and other boneheads; had Japanese girlfriend, studied the language – tho’ long since forgotten – and read all sorts of things. So cut yourself some slack! But it’s not real! Yes it is! No it isn’t! Oh shaddup, Hoyte).

ITINERARY:

21Sept: Fly to Tokyo
22/23 Tokyo – visit Basho’s house (site of)
24 shikansen (bullet train) due North to Sendai, straight on to Mitsushima, continue on to Oku-Mitsushima (the bay, the countless islands, perhaps Kinkasen Island)
27 Hiraizumi ( natsugasa ya/tsuwamono domo ga/yume no ato)(summer grasses/all that remains/of warriors’ dreams) (Hiraizuma is where Yoshitsune died)(more later on Yoshitsune)
28/29 Naruko-onsen (‘onsen’ means ‘thermal bath’)
30 Furukuchi (boat on Mogami River serenaded by boatmen. O sole mio!)
1/2/3/4 hiking in Dewa Sanzan, the three holy mountains. Haguro-san: past Goju-no-to, a 600-year old wooden pagoda, up 2446 stone steps shaded by hundreds of towering cedars, many over 300 years old…; Gas-san and Yudono-san (katararenu/Yudono ni nurasu/tamoto kana) (Yudono/which may not be spoken of/wets my sleeve with tears). Yudono-san is ‘so holy you may not speak or photograph or write about it.’
5 Tsuruoka, down to Uozo, Kurobe-kyo ‘Japan’s most dramatic Alpine railway scenic tour in open-topped carriages’
7/8/9/10 Takayama for the Hachiman Matsuri festival (if I can get a bed!)
11/12/13 Kanazawa
14 Fukui and Eihei-ji, 750 year old head Soto-Zen Temple (‘Rinzai-Zen’ descends from the more aggressive Samurai – Bushido: Way of the Warrior – tradition. ‘Rinzai encourages an active pursuit of enlightenment, through the intellectual shock of the Koans, or the strenuous efforts and high-discipline of martial arts. It can be contrasted to Sōtō Zen, which insists on "just-sitting" as the method of choice to reveal the innate Buddha nature in everyone.’ (well, that’s what Wikipedia says). ‘"Rinzai for the Shōgun, Sōtō for the peasants" (they say in Japan); ‘In pre-modern Japan, Rinzai was widely popular among the warrior aristocracy and samurai, in distinction from Sōtō Zen which was more associated with artists and poets.’ There you go.)(I just rang Eihei-ji up – imagine, you sit in Bristol overlooking St Andrew’s Park on the other side of the hill, pick up this grey blobby object with no discernible connection to anything and talk to monks in an ancient Japanese temple! Blimey! Got their tel. no. off the net! Blimey!)
15 on …. Perhaps Japanese Alps, perhaps Noto-Hanto Peninsula, perhaps Hida province; then Tokyo again, meet up with Eido Mike Luetchford (Dogen Sangha, Bristol)
24 October – fly back

Is there (still?) Zen in Japan or is there only golf? Has Japan lost its soul? Did it have one to lose in the first place? ‘Soul’ as distinct from (corruptible) ‘body’? Il n’existe pas. ‘Soul’ in the sense of ‘essence’? Can Japan retain its essence and still be a 21st century nation? How come young Japanese women won’t take no crap anymore and Japanese men don’t know what’s hit them? Jodan ja nai wa!

BASHO’S FROG
By Ralph Hoyte

It’s
us,
you see.
Nothing else knows or cares.
The wind doesn’t need us. It just blows.
Or not. Sometimes we can use it. Sometimes
it kills us. The ocean. The waves. Entangled
squids ten fathoms down. Do they know us?
“Who?” They’ll ask. “Humans? Never heard of them.
Up the road maybe? Got the right address?” It’s
us,
you see.
Trees grow with or without us. Cloud float by or not.
Who are we, to think we are so important? Go, ask!
They don’t know us, down among the bullrushes. A man
to them is just a shadow, or a quivering through the
earth: “Man in sight! Dive, brothers!” they yell as
we bludgeon past. “Blow the tanks! Hide in the slime!
Wait for the all-clear!”
It’s ….
us,
you see.
We are the patterners, our own gaolers …
Wait!
Did I hear a frog?

PLOP!

Well, of course, Basho himself put it much more succinctly:

furu-ike ya
kawazu tobi-komu
mizu no oto

Old pond
Frog jumps in
Sound of water

Retail Junkie’s and Equipment Freak’s section:

I took the £28 boots back and got a £45 quid Gortex pair instead as the travel guide said it could be very wet in the mountains of Japan. But they were reduced from £79, so that’s OK. The lightweight sleeping bag I got for £45 was reduced 3 days later to £27! Heidenai (German Swabian dialect)! To bumbaclaat (Jamaican swearword)! Considering trying to buy a miniDV camcorder in Tokyo when I get there. Banzai!

Wednesday, August 17, 2005

URRRR....

Konichiwa!
I was trying to do something clever like Trevor and post my PR stuff somewhere on the Blog site but it seems to have come up on the main blog so maybe I'm stuffed and people'll think I'm a pretentious prat but as I'm a jobbing poet people all think I'm a pretentious prat anyway so what the hell...
Good Morning World, and especially the NJ people! Hi Dinu, now somewhere in China I trust. Looking at Margareta's map (may a thousand golden apples roll your way for all your work and a thousand golden Koi carp chirp your praise continually to the sound of heavenly bells!) Dinu and I will soon only be separated by 600 miles of water, lots of mountains and kalpas of recent internecine emnity, so maybe we can meet up for green tea and a chat??? Took note of a quote I saw in Bristol Central Library yesterday: "Research is what you are doing when you don't know what you are doing" (Werner von Braun). Sounds like a good NJ slogan: a Necessary Journey is what you're doing when you don't know where the hell what the hell or why the hell you're doing it (and, probably for all of us sometime on the trip, where in hell!).

I'll stop myself prating on ... I've got hold of Lesley Downer's 'On the Narrow Road to the Deep North' from Amazon, bless their little cotton sox - an out-of-print tale of her attempts to follow Basho's trail in the '80s. I'm trying to actually get hold of her, so if anyone out there knows her, please email me. Otherwise doing mundane things like buying lightweight hiking boots in the sales (£28 quid reduced from 57, if you're interested) to reduce the load, watching 'The Last Samurai', 'Kagemusha', 'The 7 Samurai', reading the Bushido Shoshinsu, books on landscape photography, Manga comics...

Video debate: Dinu, been tlk2 Picture This re. equipment and training & group show etc will keep U pstd

THE WHATS, WHYS, & WHEREFORES

Where are you going?
I’m going to Japan, to follow in the Haiku poet’s, Matsuo Basho’s, footsteps. In the spring and summer of 1689 (Elizabethan era in England!) Basho walked the roads of Japan’s Northern Interior, recording the essential nature of the people and places he encountered along the way. This resulted in a Japanese classic: 'Oku-no-hosomichi' ('Narrow Road to the Interior'). It was Basho’s necessary journey, a journey in physical, philosophical and ‘spiritual’ space and, indeed, a necessary journey for every human being. I will start in ‘Edo’ (present day Tokyo), where Basho started, then follow his footsteps north, turn west, then south, following Japan’s Western coast, finishing in Ogaki, where Basho also finished his journey (map att.). My journey, adapted to Necessary Journeys and the time available, will involve a combination of public transport (mostly train) and walking for sustained bursts in the mountains of Japan and along her western seaboard.

When are you coming and when do you return?
Leave around 21 September 2005, return around 24 October 2005

Why did you apply for a NJ travel bursary?
I’ve had this journey in mind for a long time and saw this as the vehicle to realise it

Why did you choose this particular trip?
What does it mean to you personally (ie family/history/politics)?
My personal engagement with Japan has been long and passionate, both personally and intellectually/philosophically. Alan Watts in the '70s turned me on to Zen and I have been a Zen practitioner ever since. I learnt spoken Japanese for 1½ years and, in the mid '80s, studied the Translation Of Scientific And Technical Japanese for 3 months at Sheffield University. I have some reading in Japanese literature, including such classics as 'The Pillow Book of Sei Shonagon', several tomes about Japanese history, and, of course, innumerable Zen books. I have read and ruminated much on the Poetry of Zen and the Zen of Poetry. I addressed a conference of the Network of Buddhist Organisations on the theme of ‘Buddhism & Poetry’ in early June.

Zen has come to the West (or the West has come to Zen?): how does a 2,500 year old practice illuminate, interpret and intimate the centrifugal products of the Afrikan/European/Caribbean diaspora?

Under one roof, prostitute and priest,
we all sleep together:
moon in a field of clover
[Sora – Basho’s companion on his walk]

What does it mean to you artistically?
As a professional working artist one very rarely has the chance to take a deep breath … and slowly let it out. It’s always project/project/project or one is always seeking projects. I’m going to take in a long breath when I get to Japan, and very slowly let it out over a 3-4 week period

How will it help you creatively?
Everything is grist to the mill – but this is best quality organic high-fibre grist! A very different culture will, I’m sure, hit me where it amazes (and probably hurts) and, out of that crucible, new life, new directions and creativity is born

Why do you think this journey is necessary in developing your art?
Artists, writers are taking ‘necessary journeys’ all the time. This most exciting necessary journey is something I have wanted to do for a very long time. It will influence all my work and provide material for live performance, paper-based work, concrete sculptural work and feed into RESPRAY, my arts council (pilot) funded laptop-based poetry cut-up project. I trust that oku-no-hosomichi will provide me with ‘a step up’ onto the national stage.

Why is this physical place of particular artistic interest?
Contemporary Japan is a place of blatant contradictions. Creativity flows out of contradiction. Poetry is the art of using words to say things words cannot say. The Japanese are masters of the art. Or not … or not anymore – I’ll find out.

What do you expect to achieve at the end of it – in terms of work, and in terms of experience?
My expected output/report-back will be:

  • a travelogue of my necessary journey in verse, prose and image for new and ‘old’ media (I am not ‘a Haiku poet’, though some of my work is minimal verse/text). For paper, the web, digital media and radio
  • material for a poetry film
  • new material to incorporate into all of my artistic practice, in particular RESPRAY, my on-going laptop-based poetry cut-up project

Experience: to find out if the snake’s got any legs and why we insist on pushing the river.

What medium will you be working in?
Words on paper, words in cyberspace, words in the air (ie live performance), words and images on film

Will you be doing a blog/diary which we can use for PR purposes – ie documenting the process?
Yes

Can you send pics and written pieces along the way?
I presume so – except on the mountain stages when I am actually hiking.